Ill Your Nico Velvet Underground

Over the past few years, I have realized I need to go on more road trips. It’s fun just to get away with a great deal of friends and go someplace you’ve always wanted to visit but never had time to. Road trips may be a blast, but they may also be long.

If you’re going throughout the country, I would suggest bringing numerous music along to keep you occupied when you need a lot of time to just relax. I have taken the liberty of compiling the ten must-have albums on any All-American road trip. These artists sum up America into a compilation of songs perfectly. So, break out the tunes, get comfortable on your RV Mattress, and get ready for a great road trip.

Ten: “Nevermind” by Nirvana; Kurt Cobain closely single-handedly specified the Seattle grunge rock scene with this album. Must listen songs include “Smells Like Teen Spirit,” “Come as You Are,” and “Lithium.”

Nine: “Hotel California” by The Eagles; These guys worked for eight months painstakingly going over each note. Their goodnatured tolerance and attention to detail remunerated off. Must listen songs include “Hotel California” and “Life in the Fast Lane.”

Eight: “Pet Sounds” by The Beach Boys; You think you might know this band by their upbeat hits from the early 1960′s. Think again. Must listen songs include “I’m Waiting for the Day” and “I Just Wasn’t Made for These Times.”

Seven: “The Velvet Underground” by The Velvet Underground and Nico; Nicknamed the banana album due to it is famous cover, this is one of the most influential and prophetic albums of all time. Must listen songs include “All Tomorrow’s Parties” and “Sunday Morning.”

Six: “Highway 61 Revisited” by Bob Dylan: Bob Dylan amazed the entire music industry with this release. Must listen songs include “Like a Rolling Stone” and “Ballad of a Thin Man.”

Five: “Thriller” by Michael Jackson; It is the iconic American pop album and one of the most eminent retail albums of all time. Must listen songs include “Thriller,” “Billie Jean,” and “Beat it.”

Four: “Born to Run” by Bruce Springsteen; He earned his nickname of “the boss” with this crown jewel of his repertoire. Must listen songs include “Born to Run” and “Thunder Road.”

Three: “Exile on Main Street” by the Rolling Stones; This band from Britain immersed themselves in American musical influence with what is considered their best album. Must listen songs include “Rocks Off,” “All Down the Line,” and “Happy.”

Two: “Sergeant Pepper’s Lonely Hearts Club Band” by the Beatles; The fab four transcended rock music with their 1966 classic which is widely considered the biggest album ever released. Must listen songs include “Getting Better,” “Lucy in the Sky with Diamonds,” and the title track.

One: “The Joshua Tree” by U2; They became the greatest band in the world with this album. They stay the greatest band in the world today. Must listen songs include “Where the Streets Have No Name,” “With or Without You,” and “I Still Haven’t Found What I’m Looking For.”

Ill Your Nico Velvet Underground

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necessary recordingWhen the Velvets recorded this debut, they were best known as the protégés of Andy Warhol (who designed the sleeve), and as a grating, combustive live band. Fueled by drummer Moe Tucker’s no-nonsense wham and John Cale’s howling viola, a good deal of of the straight-up rock & roll and arty noise extravaganzas here bear that out. But before Lou Reed was singing in regards to sadomasochism and drug deals and writing lyrics inspired by his bestloved poets, he was a pop songwriter, and this album has a great deal of of his prettiest tunes, for the most part sung by Nico, the German dark angel who left the band after this disc. Even the sordid rockers are underscored by refined and tasteful pop tricks, like the two-chord flutter at the center of the classic “Heroin.” –Douglas Wolk

Ill Your Nico Velvet Underground

Ill Your Nico Velvet Underground Image

Ill Your Nico Velvet Underground

Ill Your Nico Velvet Underground Image

Ill Your Nico Velvet Underground

Ill Your Nico Velvet Underground Pic

Ill Your Nico Velvet Underground

Ill Your Nico Velvet Underground Picture


Most helpful client reviews

121 of 133 persons found the following review helpful.
5A masterwork not recognized at first
By Daniel Maltzman
In all honesty, I ought to confess that I didn’t much like this album when I initial heard it. For years I had heard with regards to the legendary group but hadn’t genuinely listened to their music. I had only heard Velvet Underground cliches, like, “one of the most influential bands of all-time,” “genius,” “avant-garde masterpiece,” so on and so on.

133 of 148 humans found the following review helpful.
5Peel Slowly and See a Truly Original Band
By Gary F. Taylor
The Velvet Underground was little known for the duration of it is lifetime; now, more than thirty years after the band collapsed, it has a world-wide following–but the band’s music still have a tendancy to divide listeners. You either get it or you don’t. For those who DO get it, this recording, with it is Andy Warhol-designed “Peel Slowly and See” cover, is a must-have.

Both Lou Reed and Nico possessed flat sounding voices, and John Cale remunerated for this by down-tuning his respective stringed instruments–and then the band as a whole down-tuned to Cale’s pitch. This brings about a somewhat off-kilter, droning tone… and the result is a queerly hypnotic, many times dark, and often unnerving sound that swirls around the songs’ street-tough lyrics. At worst, it is at least interesting; at best, it is wholly original. Several of the cuts have a distinct pop inflection, but the band subverts them; “Femme Fatale” has a mocking tone, and both “Sunday Morning” and “I’ll Be Your Mirror” have a decidedly paranoid quality. But the cuts for which this album is most famous are when it comes to as far got rid of from pop as you may get: the strange exotic stutter of “All Tomorrow’s Parties;” the pitch black and street scary tone of “Heroin” and “I’m Waiting For My Man;” and the whip-like accompaniment on the S&M-oriented “Venus In Furs”–all of them oftentimes imitated but seldom equaled. The most uttermost edge of the band is captured in such selections as “The Black Angel’s Death Song,” a piece so far out that The Velvet Underground were genuinely fired from a bar gig for playing it one time too galore for the management’s liking.

If your taste in music runs to bouncy dance music, pop standards, or even what passes for experimental amongst the top 40–you might want to give The Velvet Underground a miss. On the other hand, if you have an ear tuned to the veritably cutting-edge (as in Patti Smith, one of assorted artists who were to a considerable degree influenced by the Velvet Underground), you owe it to yourself to give this band, and this recording in particular, a try. For those who have an ear to listen it, The Velvet Underground is an essential.

34 of 39 people found the following review helpful.
5Alternative starts here
By A
Anyone who wants to know where “alternative” music came from must be pointed in this direction. Released in 1967, this album was a good 20 years in front of it is time, and still packs sufficient punch to blow away today’s wanna-be rock bands. It has influenced acts from Talking Heads to Nirvana. In fact, the fall-out left from the affect of this album is still felt today. “Heroin” is famous for it is naked honestness of a drug fix, but just as riveting is “Venus in Furs,” a twisted, sado-masochistic verse that would make David Lynch drool with envy. Another drug reference song, “I’m Waiting for the Man,” with Lou Reed’s nervous guitar lick, utterly captures the moment. Not that this group was all kinky business, though. Reed swipes the intro to Marvin Gaye’s “Hitch Hike” to fuel “There She Goes Again.” “Sunday Morning” plays like the calm before the storm with it is evocation of the perfective sunrise, while “I’ll Be Your Mirror,” and “Femme Fatale” are other achingly pretty songs sung by chanteuse Nico. And John Cale adds his avant-garde flavour to “European Son”. Moe Tucker stakes her assert as the greatest under-rated drummer in rock. A immense album, and one of the best debuts ever.

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